Pizza Giambotta

This pizza features Italian sausage , sweet peppers, and onions.
THE DOUGH

Start dough at 4p for dinner between 7p and 8p
1 cup warm water
2 tsp instant-rise yeast
3-1/4 cup bread flour
1 tsp salt
1/4 cup olive oil (extra virgin not necessary)
Combine ingredients and knead by hand for 10 minutes or machine
for two to five minutes. Coat dough ball in a thin film of olive oil or cooking spray, cover in plastic wrap, and let rise in warm place until doubled in size.

THE PIZZA

3/4 lb. sweet Italian sausage in casing
2 tbs olive oil
2 cups chopped onion (about one large)
1 lb. mozzarella cheese, shredded (You can also substitute fontina, as I often do.)
1-1/2 cups tomato sauce with fresh basil and parsley and dried oregano
2 bell peppers, roasted, peeled, and chopped  (The color is up to you, but I like red and orange or yellow, rather than green.)
2 tsp. dried oregano, crumbled

About an hour before dinner time, turn the oven up as high as it will go, preferably 500 degrees. Thirty to forty minutes before baking, roll dough out to 15” circle. [Or divide dough if you want to make two smaller pizzas.] Place on pizza screen if available, being careful not to press the dough into the mesh. With your fingers, press and form a 1/2 inch border around the edge.  Gently brush or rub the dough with the olive oil.  Cover with plastic wrap for this second rise

Cut the sausage into 1/2-inch thick coins.  In a large skillet, cook the sausage still in their casing in the olive oil over medium heat until cooked through, stirring occasionally, about 10 minutes.

In the pan you used to cook the sausage, add the onion and cook over medium heat for two minutes to soften.

Spread the tomato sauce over the dough up to the raised border.  Spread the onion over the sauce.  Arrange the sausage coins evenly over the onion. Sprinkle the oregano over all, followed by the shredded cheese.  Arrange the bell peppers over the cheese, pressing them in gently.

Bake the  pizza on the bottom rack of the preheated oven for 5 to 10 minutes, or until the crust is golden brown and the cheese is melted and speckled.

My wife particularly liked this one.

Mangia! Mangia!

Serves 4 to 6.

The dough for this recipe came from James McNair’s excellent New Pizza Don’t be discouraged by the one-star reviews, they are bogus, imho.  One dweeb complained that McNair didn’t cover such arcane techniques as cold fermentation.  Geez.  If you want a cold ferment, use room temperature water and let the dough rise in the refrigerator for 24 hours.  But, you’re not going to have pizza tonight, and you won’t taste the subtleties a cold ferment brings to dough under all those toppings.

 

The Giambotta recipe itself is derived from one in The Ultimate Pizza by Pasquale Bruno, Jr., another quite reliable pizza book.

 

Top of page: https://winervana.com/blog/

Tetramythos Retsina

Not even the Greek-Americans I know will drink Retsina.  Quite a bold position, considering it is routinely called the “iconic wine of Greece” and is ingrained in the food and drink culture of the nation.

And I don’t understand their reluctance.  I’ve been enjoying Retsina for decades, although I will admit it’s in part because of Retsina’s origin story.   More on that in a moment.   The traditional grape for Retsina is Savatiano with Assyrtiko and Rhoditis sometimes blended in. Modern Retsina is made following the same winemaking techniques as white wine, with the exception of small pieces of Aleppo pine resin (!) being added to the must during fermentation. (It remains to be seen what effect this past summer’s wildfires in the Greek pine forests  will have on resin production.)  It is this pine resin that gives Retsina its name, as well as its unique flavor profile.  The resin exudes an oily film on the surface of the fermenting liquid;  after racking, the wine is clarified and the solids and surface film are removed.

Nowadays, much less resin is used than traditionally called for. Such wines lack the pungent “whiff of turpentine” of old.  Indeed, it seems to me the resin content goes down every year.  Frankly, I miss that resin punch, and, ironically, even as producers seemingly try to make the wine more accessible, fewer people are willing to try it.  Regardless, it is considered an ideal accompaniment to such flavorful Greek dishes as saganaki, pastırma or garlic dips, which are often consumed as appetizers.

But why add pine resin in the first place?  Isn’t this a gross adulteration, easily remedied?  In ancient Greece, long before the advent of the barrels and bottles we take for granted today, earthen wine jars and amphorae were sealed with pine resin to protect the contents from oxidation.  Some of this inevitably flavored the wine.  So much for the historical record.

But the legend is far more interesting.  It centers on the siege of Greece by the Romans in the second century B.C.  As the invaders plundered everything that came their way, the beleaguered Greeks were determined to deny them the wine.  “You will take our freedom . .  but you will not enjoy our wine!” they reportedly cried.  It was deliberately tainted with the now-famous pine resin, and in fact the Romans refused to drink it.  Once the war was over, however, and the Greeks had prevailed, it was time to celebrate.  But, all of the available wine had been dosed with pine resin.  What to do?  Well, drink it anyway, of course, and acquire a centuries-long taste for it!

Tetramythos Retsina

Founded in 1999 by brothers Aristides and Stathis Spanos, Tetramythos Winery is a boutique operation situated at Ano Diakopto of Egialia in the northern Peloponnese peninsula in the south of Greece. As far back as 150 AD the geographer Pausanias referred to the local villages as ideal for the cultivation of grapes.

The Tetramythos winery, completed in 2004.

There are 35 acres of vineyards [14 hectares]. The vines are planted in soils that are limestone-rich and at altitudes of 1,965 to 3,450 feet (600 to 1050 meters) on the slopes of Mount Aroania. The vines are certified organic by the Greek DIO organization, and winemaking is as natural as possible. These are true cool-climate vineyards, mostly north-facing, where breezes from the gulf of Corinth help produce fresh and balanced fruit. Indigenous and international grape varieties are grown, including Roditis, Mavro Kalavritino, Agiorgitiko, Malagouzia, Sauvignon Blanc, Merlot, and Cabernet Sauvignon.

The mountainside.  Photo: Αντωνης Ογλου

Inside the winery, small stainless steel tanks enable small-scale vinification suited to each varietal and vineyard. There are also underground ageing and barrel cellars. and a wine bar.

Panayiotis Papagiannopoulos, the winemaker, hails from the area.  He is known for being one of the most innovative wine producers in Greece; humble with great dedication, he has saved local grapes from extinction, and has researched how to use traditional amphora of the past with modern production methods.

This pale yellow wine is, unusually, 100% Roditis that has been aged for up to two years.  It has a mildly aromatic nose.  There is just a whisper of pine resin on the palate, which is dominated by citrus, especially lemon, with good acidity and a bit of chamomile on the finish.  This is a pleasant, refreshing quaff, but not really my idea of a Retsina. ABV is 12.5%.

Return to blog posts: https://winervana.com/blog/

Cockburn’s No. 1 Special Reserve Port

True Ports hail from the Douro valley in Northern Portugal, and have done so for over three hundred years. The region’s predominant soil is schist, composed of various medium-grained to coarse-grained metamorphic rocks with laminated, often flaky parallel layers of micaceous minerals.  The low annual rainfall makes this probably one of the driest regions of the world where grapes are grown without irrigation. This terroir results in very low-yielding vineyards, with vines bearing only a very few small bunches of full-flavored grapes whose thick skins protect them from dehydration.

Cockburn’s (CO-burns, not COCK-burns) is perhaps the best-known name in Port, thanks to Cockburn’s Special Reserve.  Certainly, in the first half of the last century Cockburn vintage ports were widely regarded as the finest in the world.

Robert Cockburn was a Scottish soldier who served in Portugal during the Peninsular War, and thereby was exposed to Port wines. In 1815, Robert and his brother John, who originally were wine merchants in Leith, Scotland, decided to get into the Port business. Looking for better fruit than what was available at the traditional merchant’s fair in Porto, they ventured up the Douro river and bought the  best grapes they could find directly from farmers there. Over time, the Cockburns were joined by the Wauchope, Smithes, Teage, and Cobb families as partners. Together, they built a reputation for fine Vintage Port.  For most of the 20th century, Cockburn’s was the name in Port — famous (some would say infamous) for deferring on vintages that others declared, and fetching prices 10 to 15% above the going rate of their Oporto competitors.

Cockburn’s was one of the first companies to plant vineyards in the remote Douro Superior,  a region once considered out of bounds for respectable producers, but which became known as Cockburn’s Country.  It was also instrumental in resurrecting the now iconic Touriga Nacional grape variety from obscurity, largely due to the efforts of John Henry Smithes, Cockburn’s winemaker and the “Cowboy of the Douro.”

The Cockburn and Smithes families sold the business in 1963 to Showerings of England, producers of Babycham (a low-alcohol sparking cider made from fermented pear juice), who had at about the same time taken over Harveys of Bristol. Showerings decided they needed a Port to complement the branded Sherry that was then their cash cow, Harveys Bristol Cream. Christened “Special Reserve,” it revolutionized the Port trade in 1969, creating a whole new category between Ruby Port and Vintage Port.  (It is more substantial than a Ruby, but less so than a Vintage.)

The brand has a tradition of humorous marketing, with many people still remembering the iconic print and TV ads from the ’70s and ’80s. That same spirit continues today, reflected in recent “Pronounce Responsibly” advertising.

Over time, the Cockburn’s portfolio passed through a number of owners. At some point, Showerings became part of Allied Domecq until that operation was taken over by Pernod Ricard in 2005, who promptly sold Cockburn’s and some other brands to the Fortune Brands holding company, the parent company of Beam Global, the company best known for its bourbon. Predictably, Beam’s knowledge of and interest in fortified wines was minimal at best, so Beam quickly (and wisely) contracted the winemaking itself to the Symington family, already responsible for Dow, Graham, and Warre Ports, in 2006. In 2010, the Symingtons purchased Cockburn’s outright, acquiring the brand, the lodge (aka winery), the inventory, the vineyards, and Martinez, a port shipper that Showering had acquired before Cockburn. The Symingtons conducted an intensive overhaul of all of Cockburn’s viticulture and winemaking practices, with the goal of restoring Cockburn’s reputation and quality.

In addition to their Port holdings, Symington owns several brands of Madeira and Douro DOC wines. With their extensive vineyard holdings and many Port brands, the Symingtons are often described as ruling over a “Port empire.”

The Douro

In 2016 the Portuguese Minister for Tourism opened the new visitor center at the Cockburn’s Port Cellars in Vila Nova de Gaia, Porto. The cellars contain the most extensive collection of oak barrels in the Port trade. It is also the site of the last in-house cooperage in Portugal, where a skilled team of craftsmen carefully maintain and repair thousands of ancient casks.

Cockburn’s owns two important vineyards in the Upper Douro Valley, the world’s oldest demarcated wine region and a UNESCO-protected landscape. Both are in the rugged, remote Douro Superior, some 87 miles [140 kilometers] upriver from the city of Porto, a region with hot and dry climatic conditions. Quinta [estate] dos Canais is one of the major Douro properties, with a total area of 672 acres [272 hectares], of which close to 247 are under vine. Just five miles [eight kilometers] further upstream is the Quinta do Vale Coelho, a small 47-acre [19-hectare] property, of which two-thirds are planted to vines. Both quintas are situated on the north bank of the Douro river, and the vineyards are mostly south-facing, ideal for the ripening of  grapes.

Cockburn’s Special Reserve Port

Special Reserve was created by blending fruit from vineyards in the Douro Superior, maturing it for up to five years in oak casks, and bottling the wine ready to drink. It rapidly became the world’s best-selling Port. Its breakthrough success was evident in how other Port houses followed suit (Fronseca’s Bin 27, Warre’s Warrior, Graham’s Six Grapes, and Sandeman’s Founder’s Reserve for instance).

This dark opaque purple wine has a surprisingly delicate nose of sweet plum.  It is much more lively in the mouth, with red berry flavors, a restrained sweetness, good acidity, and just slightly bitter and peppery tannins.

Pour this wine in a wine glass at room temperature, or slightly chilled in warm weather to make it more refreshing.  It works as both an aperitif and after-dinner drink. It does not need to be decanted, is ready to drink on release, and should be consumed within four to six weeks of opening. The ABV is: 20%.

www.cockburns.com

Top of page: https://winervana.com/blog/

Duckhorn Vineyards Napa Valley Cabernet Sauvignon 2017

Duckhorn Vineyards was co-founded by Dan and Margaret Duckhorn in 1976. On their first vintage, 1978, they released 800 cases of Cabernet Sauvignon and 800 cases of Merlot. Partly due to a wonderful growing season that year, 1978 turned out to be an excellent first vintage, one that buttressed Duckhorn’s belief that great wines begin in the vineyard, “It was a great year,” he reminisced. “We could have made wine out of walnuts.” Sauvignon Blanc was added to the list in 1982. In 2005, the San Francisco Chronicle proclaimed Dan Duckhorn its “Winemaker of the Year” and named four of his wines to its list of “Top 100 Wines of 2005.”

Dan Duckhorn

Early on, the Duckhorns decided to focus on the production of Merlot. At the time, few Napa Valley producers were exploring the potential of this varietal as a standalone wine. But, Dan Duckhorn became a great fan of Merlot during his travels in the mid-’70s to St. Emilion and Pomerol. He felt that this varietal was underappreciated in North America. “I liked the softness, the seductiveness, the color,” says Dan, “the fact that it went with a lot of different foods; it wasn’t so bold, didn’t need to age so long, and it had this velvety texture to it. It seemed to me to be a wonderful wine to just enjoy. I became enchanted with Merlot.”

Soon after establishing his winery, Duckhorn met up with Ric Forman. He was the winemaker at Sterling Vineyards at the time, and when he heard that Duckhorn was looking for some Merlot, he gave him a call, “I’ve got a vineyard you have to see.” Forman took Duckhorn up to the Three Palms Vineyard in Calistoga. Forman also recommended a winemaker by the name of Tom Rinaldi. When Rinaldi rolled up to the winery on a motorcycle looking like “a flower child,” as Margaret Duckhorn called him, they had no idea what they were in for. But, it worked out because Rinaldi ended up as the Duckhorn winemaker for the next 20 years.

Margaret Duckhorn

From the first vintage, Margaret took an active role in the day-to-day operations of the winery, hand-sorting the fruit and working alongside Rinaldi during blending. Later, she began focusing on marketing and international public relations to promote Duckhorn Vineyards. Over the years, she also helped to articulate Duckhorn Vineyards’ philosophy and core values. “We recognize the importance of taking care of this remarkable place, and of giving back to the community that has given us so much. In addition, we make certain that our practices at the winery and in our vineyards are sustainable.”  After the Duckhorns divorced in 2000, Margaret pivoted to advocating for the Napa Valley wine industry, working both locally and globally to protect and promote the region.

The first few years were simple, with only three stainless steel tanks under a big oak tree and hand-cranked basket presses. For the first vintage in 1978, they only harvested 28 tons of grapes into apple lug boxes, half Cabernet Sauvignon and half Merlot. Everything was hand-picked and sorted extensively. Duckhorn’s trip to France had also introduced him to the Nadalie family who were barrel builders, and he decided that brand new French oak was the way to go. Those first few vintages were cellared exclusively in Nadalie coopered barrels.

The Duckhorn Visitor Center (bottom photo: Zaiya Mikhael)

In 1982, Duckhorn made its first white varietal wine, Sauvignon Blanc. With the expansion of the winemaking program came a need for more fruit; this is when Duckhorn began acquiring some of the properties that are still important today. Two of the first vineyards purchased were Patzimaro Vineyard in 1989 and Monitor Ledge Vineyard in 1992. Today, the winery’s seven estate vineyards are located on 168 acres (68 ha) in alluvial fans of the Napa Valley and on the slopes of Howell Mountain. There are an additional 153 acres (62 ha) of four estate vineyards in the Anderson Valley in Mendocino County.

Two of the valley vineyards (bottom photo: Phil Guertin)

The mountain has distinctly different grape-growing conditions than the valley floor. Often during summer months, the maritime fog seeping into the Napa Valley below will not reach the mountaintop, giving Howell Mountain more sunlight and moderate temperatures.  The shallow and rocky soil drains easily, forcing the vines to send roots deep in search of water. And, the rocks retain the day’s heat, protecting the vines during cold spring mornings and foggy summer nights.

Duckhorn’s current winemaker, Renee Ary, has numerous vineyard blocks to choose from, each offering markedly different flavor profiles. She strives to understand the needs and opportunities presented by each specific terroir and microclimate. By approaching each vineyard block individually, Ary’s goal is to harvest when the flavors have reached their peak and the tannins are at their softest. Grapes are hand-picked and hand-sorted prior to crushing, as they have been since the beginning. In addition, some vineyard sites are even harvested several times, selecting only the ripe fruit with each pass through the vineyard.

In the winery, Ary blends from almost 200 distinctive lots using taste and instinct, not formula. Wines are barrel-aged separately by vineyard lot, utilizing an extensive barrel program that sources 25 different types of oak from 13 separate cooperages. The majority of the barrels are made from French oak in the Bordeaux Chateau style. These barrels breathe easier, encouraging the wines to develop. Duckhorn also employs many water-bent barrels, a process which removes harsh tannins from the wood, bringing about toasty, caramelized flavors.

In July 2007, a controlling interest in the company was sold to GI Partners, a private equity firm, at a price believed to be over $250 million. The company was sold to another private equity firm, TSG Consumer Partners, in 2016. The operation continues to expand under this ownership. In addition to Duckhorn Vineyards, Duckhorn Wine Company also operates Goldeneye [1996], a maker of Pinot noir in Anderson Valley, and Paraduxx, a blend of Zinfandel and Cabernet Sauvignon made at a winery on the Silverado Trail between Yountville and Oakville, California. The company also produces second wines under the names Decoy [1985], made from Alexander Valley fruit not included in Duckhorn, Migration [2001], made with grapes from Anderson Valley and the Sonoma coast, and Canvasback [2012] a maker of Cabernet Sauvignon in Washington state’s Red Mountain appellation.

Duckhorn also controls Greenwing, which makes Cabernet Sauvignon in Washington’s Columbia Valley, and Postmark, a maker of Cabernet Sauvignon sourced from the increasingly reliable Paso Robles region.

Finally, two formerly independent wineries are now also under Duckhorn’s wing. Calera, founded in 1975 by Josh Jensen, is known for their Central Coast Pinot Noirs. Kosta Brown, dating back to 1997, is one of Sonoma’s premier producers of Pinot Noir and Chardonnay.

Duckhorn Vineyards Napa Valley Cabernet Sauvignon 2017

A blend of 87% Cabernet Sauvignon, 12% Merlot, 0.5% Cabernet Franc, and 0.5% Petit Verdot, from Duckhorn’s estate vineyards and top Napa Valley growers, this wine was aged for 16 months in French oak barrels, half of them used, that restrained the oakiness.  This dark purple selection begins with moderate aromas, primarily vanilla and rich dark fruit, especially berries.  These continue in the mouth, backed up by black currant, tart cherry, and an earthy finish that has a hint of bitterness.  1,600 cases were produced, and the ABV is 14.5%.