Cape Red Red Blend

Cape Red Red Blend 2020
Cape Red Red Blend 2020

Cape Red Red Blend 

When I profile a wine, I like to start with the story of the producer, and then get into the wine itself.  I couldn’t find much about this offering, which is just as well as it is low-quality plonk.

It is sourced from Zidela Worldwide Wines.  Their website states, “Our Company aims to be the prime South African supplier of value-for-money wines in the international private label market.  [We have} the capability to offer a wide range of bulk wines from all the wine regions in South Africa. Our long-standing working relationship with various wineries enables us to get involved in the wine-making process to meet our clients’ specific needs.”  So, no need to look for a winemaker’s personal approach or vision here.

The wine is exclusively distributed in the United States by splashwines.com, where I bought it through a Groupon offer for a mixed case of two bottles each of nine different wines.  The per-bottle price came to $5, much more than this particular wine is worth.

Cape Red Red Blend 2020

The color and clarity of this wine is fine, but then the wheels fall off.  It has thin aromas and a recessive palate of weird, unidentifiable fruit.  The acidity is totally out of balance, plus bitter tannins and an odd funk on the finish.  The only way I was able to get through it with dinner (a delightful grilled pork roast) was by refrigerating the hell out of it.  The packaging is nice; too bad they didn’t put half as much effort into the wine.  I don’t know how many cases were made, but, frankly, any was too much.  ABV is 13%.

www.splashwines.com/products/cape-red-2019?_pos=1&_sid=b92ded527&_ss=r

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Vale do Bomfim

Vale do Bomfim Red Blend 2017Vale do Bomfim Red Blend 2017

In the 1970s, Portugese rosés such as Lancers and Mateus were the height of sophistication to many young wine drinkers: “It’s imported, and comes in a fun bottle!” With age comes wisdom however, and these wines were largely abandoned for the justifiably famous fortified wines of Portugal, Port and Madeira, produced by many ancient and famous houses.

Much less well-known is Portugal’s status as a producer of both red and white table wine, ranking in the world’s top ten in production.  With a population of just 10 million, but #2 in per capita consumption as of 2019 , much of that wine is sipped by the thirsty Portuguese.  (The U.S. is 44th out of a total of 167 countries.)

Winemaking in Portugal has a long and storied history. It was the first country to implement an appellation system, the Denominação de Origem Controlada, in 1756, almost 180 years before the French established their own similar system. The DOC established early quality-control standards, but because it has been in place for over 350 years much Portuguese winemaking is tightly bound by tradition; even calcified, some would say. However, this has been steadily changing, and many producers are updating their winemaking equipment and methods and are producing good high-quality wines.

The Vineyard

This wine comes from the Douro [DOO-roh], a wild mountainous region located along the Douro river starting at the Spanish border and extending west into northern Portugal. The grapes for many Ports originate here also, but the vineyards for the table wines are at higher altitudes, where the grapes don’t ripen as fully or produce the higher sugar levels desirable for fortified wines.

The Douro

In the 19th century, the area around the village of Pinhão was known as Vale do Bomfim, which translates as ‘the well-placed valley.’  The specific vineyard from which this wine comes was acquired by George Warre for Dow’s in 1896 (his family had been involved in the Port trade since its earliest years).  In 1912, Andrew James Symington became a partner in Dow’s and made Quinta do Bomfim his family home in Douro.  (Quinta is Portuguese for farm, estate, or villa.)

The Vale do Bomfim vineyard.

Quinta do Bomfim sits in the upper Douro Valley, located in an area of transition between temperate and Mediterranean climates. Predominantly south-facing with ample solar exposure, the terraced vineyards sit on schist, a medium-grade metamorphic rock formed from mudstone or shale.  The total property is 247 acres (100 hectares) with 185 acres (75 hectares) planted to vine.  The elevation varies from 262 to 1,260 feet (80 to 384 meters).

The Lagare Method

Historically, Portuguese wine was pressed by foot in granite treading tanks called lagares on the upper level of a winery, and then gravity sent the juice from the lagar to oak or chestnut vats for fermentation on another floor below.  The original winery at Quinta do Bomfim was modernized beginning in 1964 with the introduction of automated lagars to increase winemaking capacity, as increasing labor shortages made treading in stone lagares impractical and too expensive.   The automated lagar is an open stainless steel vinification tank in which mechanical treaders, powered by compressed air, replace the human foot in treading the grapes. It was designed to replicate the gentle treading action of feet and the configuration of the tank itself recreates the shape and the capacity of the traditional stone lagar.

The Quinta do Bomfim winery.

Vale do Bomfim Red Blend 2017

This wine is made by Dow, one of the premier Port producers in the Douro Valley for over two centuries.   For many years it was only available to the family and their guests.  It is made from a blend of 50% Touriga Franca, 20% Touriga Nacional, and the remaining 30% is a field blend of indigenous varietals.  It was aged in an equal mixture of stainless steel and French oak (30% new for the half of the wine in wood) for six months.

The wine is a medium dark purple in the glass.  It is quite aromatic, wafting of dark fruits.  These continue on the palate, particularly black cherry.  But, it is perhaps predictably lean in the European style, so the fruit is complemented by slate, sage, and a bit of earth.  It is all bound together with racy acidity and moderate tanninsABV is 14%.

Rescue Dog Wines

Rescue Dog Wines
Rescue Dog Wines Click here for tasting notes.

Rescue Dog Wines

Founded in 2017 by Blair and Laura Lott, Rescue Dog Wines has an unusual and commendable mission: a generous 50% of their profits go to rescue dog organizations across the country. The Lotts explained that they started planning a new life in wine country around 2015. “We knew that we wanted to embrace sustainable growing practices and create a new, more rewarding lifestyle for ourselves. In addition, we knew that we wanted enough land to grow wine grapes and foster dogs. In addition, we knew that we wanted to create high quality, premium wines. During this period of exploration throughout many of California’s wine regions it dawned on us that we could combine our two passions and Rescue Dog Wines was born,” they reminisced. Continue reading “Rescue Dog Wines”

Austin Hope GSM

Austin Hope GSM 2017
Austin Hope GSM 2017 Click here for tasting notes.

Chuck Hope and his wife Marlyn came to Paso Robles (which roughly means “passageway of oaks”) in California’s Central Coast in 1978 to farm, and eventually to start what would become Hope Family Wines. This early arrival put them on the forefront of the Central Coast becoming a world-class viticultural region. Initially, the Hopes planted apples and grapes in this then sparsely-populated area. Seeing the property’s potential for grape growing, Hope eventually replanted the apple orchards with grapes. Vine density was increased, and each vine was pruned to limit yield for better-quality fruit.

Throughout the 1980s and 1990s, the Hope family grew grapes for various wine producers. In the 1980s, the Wagner family, owners of Napa Valley’s Caymus Vineyards, turned to the Hope family to source Cabernet Sauvignon fruit for their Liberty School label. Thus began a long-lasting partnership between the two families.

Since that beginning, in Paso Robles specifically and throughout the region generally, Hope Family Wines has built long-standing relationships with over 50 growers. They coordinate with farmers to carefully limit crop yields to ensure concentrated flavors.

In 1995, the Hopes acquired Liberty School from the Wagners. In 1996, they launched Treana Winery with Chris Phelps serving as winemaker.

At about this same time, while studying fruit science at California Polytechnic State University, San Luis Obispo, the Hope’s son Austin spent some time working in Napa Valley under Caymus winemaker Chuck Wagner. This opportunity solidified his decision to pursue winemaking for his family. He became the head winemaker in 1998, and has held the position ever since. Since taking the lead as president and winemaker, Hope has helped Hope Family Wines grow from producing around 20,000 cases per year to over 300,000 cases per year. Austin’s wife Celeste, a professional photographer, produces all winery-related photography.

Hope shared, “At Hope Family Wines, we believe that it is our job to demystify wine and make it approachable. As a beverage that often accompanies food, we need to get away from the rules and intimidation, and trust our individual preferences. I am excited to see the wine industry becoming more dynamic and approachable as younger generations embrace education through online sources that are right at our fingertips.”

In 2000, the family started a limited-production label, Austin Hope (surprise!), focused exclusively on Rhone varietals grown on the family’s estate vineyard, based on the calcareous loam, marine sediment, and dense clay soil  of the Templeton Gap, which has the coolest microclimate in Paso Robles. It closely matches the climate of the Rhône Valley in France, as well as Napa’s acclaimed Rutherford district. The winery’s now-mature vineyards produce Cabernet Sauvignon, Syrah, Merlot, Mourvedre, and Grenache.

In 2008, the winery introduced Candor Wines, a multi-vintage label focusing on Zinfandel and Merlot wines with fruit sourced from family-owned vineyards in Santa Barbara, Paso Robles, and Lodi. It introduced its second multi-vintage blend, named Troublemaker, in 2010.

The winery.

The tasting room.

Hope Family Wines is committed to sustainable growing practices that promote vine health, improve wine quality, and ensure that growers remain profitable. Spraying is only done when necessary, and never after August first. The number of tractor passes is kept to a minimum, protecting the integrity of the root structures and avoiding compacting the soil. The winery works actively to promote best practices in the vineyards of the growers they partner with. They use the self-assessment tools put together by the Wine Institute and the California Association of Winegrape Growers to gauge progress and identify areas for improvement over time.

Austin Hope GSM 2017

This wine is a blend of 43% Grenache, 35% Syrah, and 22% Mourvedre.  These are three important grapes grown in the Côtes du Rhône region of France, but this popular blend is produced throughout the world.  The fruit for this selection was hand-picked from the Hope estate vineyards in the Templeton Gap district of Paso Robles, and then fermented in five-ton, open-top tanks. After extended maceration for up to 60 days, the wine was aged for 25 months in 72% new French oak barrels.

This GSM is ruby-black in the glass, with big aromas of rich, dark fruit.  The subtly sweet palate showcases jammy blackberries, blueberries, currants, a hint of pencil shavings, grippy but balanced tannins, and a long finish.

The label art, by Austin Hope’s youngest daughter Avery, is a linocut titled The Magic Sun.  And the wax seal, although certainly attractive, made opening the bottle rather tricky.  ABV is 15%.

www.hopefamilywines.com/

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Sixteen Appellations Red Wine

Italics Winegrowers Sixteen Appellations Red Wine 2013
Italics Winegrowers Sixteen Appellations Red Wine 2013 Click here for tasting notes.

Sixteen Appellations Red Wine 

In 1870 the Carbone family purchased a large parcel on Coombsville Road in Napa, California. They opened a winery, which is long gone, and that was about it for winemaking in the area for the next hundred years.

Around 1970, dozens of wineries started  appearing along Highway 29 in Oakville, Rutherford, and St. Helena, but Coombsville remained largely uninvolved in the burgeoning wine scene. By the 1990s, however, a number of up-valley wineries, looking to expand their production, came looking for additional sources of fruit. They were impressed by the rolling benchlands, moderate temperatures, and volcanic soils of Coombsville.

In 1995, the winery that would eventually become Italics was founded in Coombsville by commercial pilot turned vintner Bill Frazier. Frazier sold the winery in 2011 to a China-based company that renamed it Zhang Winery. The Chinese owners expanded the existing small cave system into what is now 16,000 square feet carved into a hill, and made a number of practical and visual improvements. In 2014, the operation was purchased by Mike Martin of Texas, who once again renamed it, this time to Italics. (The name Italics was chosen because “words in italics are used to emphasize something or to make something stand out.”) He was president of Rio Queen Citrus, Inc., his family produce business, until selling it in 2012. Rio Queen began with a small 20-acre grapefruit orchard in the south part of the state, but grew to become one of the largest distributors of produce in Texas (including citrus, onions, and melons).

Italics’ founding winemaker was Steve Reynolds, who Martin met by chance at a wine dinner in McAllen, Texas.  Martin was particularly interested in one of Reynold’s many ongoing projects, Thirteen Appellations, which began in 2002 when 100 cases were made.  The idea behind the label was to create a wine with fruit from all of Napa’s then extant sub-appellations. The thinking was that, “each wine taken individually has its own unique colors, aromas, and flavors, and blending them results in an arguably richer, perhaps more complex wine.” The wines from each sub-appellation are fermented and aged separately – all coming together when the final blend is made.  Ultimately Martin acquired Thirteen Appellations, a brand that evolved into Sixteen Appellations. As additional sub-appellations were approved in Napa, further vintages were called Fourteen and then Fifteen Appellations. With the Coombsville sub-appellation finally being added in 2011, the wine is now Sixteen Appellations

In 2019, Marbue Marke became Italics’ winemaker. He was born in Sierra Leone, West Africa, and originally studied to become a doctor, enrolling in UC Davis’ Pre-Med program at just 15 years old.  However,  he soon realized that he tended to get woozy at the sight of blood, a definite problem for a doctor.  Abandoning that career path, he transferred to the UC Davis wine program, and graduated with a degree in Viticulture and Enology. He later earned an M.B.A. from Sonoma State University.  Prior to Italics, he toiled at Caldwell Vineyard, Marston Family Vineyard, J Winery, Cosentino, Benziger Family Winery, and industry giant EJ Gallo Winery. In 2018 he was named U.S. Winemaker of the Year by Bonfort’s Wine and Spirits Journal.

The entire Italics operation resides in caves carved into the hillside.

In addition to the Sixteen Appellations offering, Italics Winegrowers focuses on wines made from traditional red Bordeaux varietals, with a total current production of about 5,000 cases annually.  The fruit for these wines thrives in vineyards not far from the San Pablo Bay.  Breezes that blow in from the bay bring fog by day and cool air at night, moderating extreme temperatures.  Coombsville is surrounded by a partially collapsed caldera, the remnant of a fractured volcanic vent. The caldera’s half-bowl reaches some 1,800 feet in elevation, and acts as a collector for the cool marine air from the Bay.  The grapes grown here can hang longer without dehydrating while retaining their natural acidity.

The film Decanted premiered at the 2016 Napa Valley Film Festival. It depicts what it takes to open a winery in the Napa Valley, and it follows Italics Winegrowers from the inception. Winemaker Steve Reynolds and owner Mike Martin were included in the cast.

ISixteen Appellations Red Wine 2013

This red is composed of 45% Cabernet Sauvignon, 35% Merlot, 15% Cabernet Franc, and 5% Petit Verdot.  Some of the vineyards sourced are owned by Robert Keenan, Blackbird, Annapurna, and Constant, as well as Italics’ estate vineyard (these change every vintage).  After fermentation in 25% new French oak and 75% stainless steel, it was aged for 22 months in French oak barrels, 60% new and 40% used.

This quite dry, dark garnet wine greets you with a heady nose of mouthwatering rich dark fruits.  These are most evident on the palate as somewhat restrained blueberry and blackberry, plus dust and a hint of clove.  The flavors tend to fade as the bottom of the bottle approaches.  The acid and tannins are in excellent balance, complemented by a medium-long finish.  ABV is 14.5% and 1,337 cases were made.

www.italicswinegrowers.com

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Brian Carter Cellars

Brian Carter Cellars
Click here for tasting notes.

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Brian Carter Cellars

“I came into the field Brian Carterof wine [at a young age], not because my parents were wine drinkers, but because I was given a microscope when I was 12 years old. I heard about these things called yeast, and I wanted to see what they looked like under a microscope. I was told if you want to look at yeast you have to start a fermentation. So I picked some blackberries, fermented the wine, took a sample, and brought out my microscope — and there they were — the little yeast. I’ve been having those yeast work for me ever since.”  — Brian Carter

A charming tale of a precocious young scientist, no?  There was just one small problem: before he got to actually inspect the yeast, during a robust fermentation that first blackberry wine exploded in his mother’s kitchen.  “There was a big stain on the ceiling for a couple of years, until it finally got painted,” Carter admitted.  History hasn’t recorded whether that chore fell to Carter or someone else. Continue reading “Brian Carter Cellars”

Juslyn Vineyards Perry’s Blend

Juslyn Vineyards Perry's Blend
Juslyn Vineyards Perry’s Blend Click here for tasting notes.

Perry and Carolyn Butler emigrated from England to California sometime during the mid-1980s. Butler was a trained  chef in England, and dabbled with his wife in the emerging high-tech business there as well. It was their growing interest in technology that drew them to Silicon Valley.  Once there, they  purchased Global Dynamics, a struggling IT company that provided IT staffing for American Airlines in San Francisco’s Bay Area.

Once their company was well-established, the Butler’s were able to indulge in weekend trips to nearby Napa Valley. It was there that they soon developed a passion for wine and the wine country lifestyle that Napa Valley offered.

In 1997, the couple sold their quite profitable IT business and relocated to Spring Mountain. They bought a picturesque 42-acre property that was once a small parcel of the 540 acres that California wine pioneer Charles Krug originally acquired as the dowry of Caroline Bale, who he married in 1860.  The Butlers set about having a villa and gardens built, along with a winery facility, which Butler named Juslyn, for daughter Justine and wife Carolyn.

The vineyard on the property was replanted to a field blend of 90% Cabernet Sauvignon plus small amounts of Merlot, Cabernet Franc and Petit Verdot, reflecting the English preference for those Bordeaux blends they call Claret.

Early on, the Butlers became friends with legendary wine critic Robert Parker, who utilized their villa for many of his Napa Valley wine tasting and rating sessions. Parker was a big fan of Juslyn Vineyards’ early wines, and  awarded them high ratings on several occasions.  I’m sure having access to the villa didn’t influence his assessments in any way.

Without any real experience in the wine industry, the Butlers have relied on the work of their grape and wine specialists.

For the vines, Juslyn takes advice from the Renteria Vineyard management team, led by Salvador and Oscar Renteria. This father-son duo has produced grapes for many prestigious Napa Valley wineries.

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The winemaker is Angelina Mondavi.  She began her career at the age of 10 by assisting the lab manager at Charles Krug.  (She had an in.  Her grandfather Peter Mondavi (who was Robert Mondavi’s brother) owned the place.)  After graduating from Villanova University, majoring in chemistry, she worked lab and harvest positions in Napa Valley and Barossa Valley. While in Australia, she earned a Master’s Degree in Oenology from the University of Adelaide.  Following graduation, she gained experience with stints at Pine Ridge Vineyards and One True Vine where she was responsible for Hundred Acre, Cherry Pie, and Layer Cake to name a few.

Juslyn’s estate vineyard consists of some eight acres on rocky hillside soils with excellent drainage, where the vines are now over 20 years old.  The winery is able to annually extract some three tons of fruit per acre.

Juslyn Vineyards Perry’s Blend 2016

The name “Perry’s Blend” (the wine was originally called Proprietary Red) was conferred by Robert Parker during one of his tasting sessions, and the Butlers took to the designation.

Perry’s is a blend of 66% Cabernet Sauvignon, 22% Cabernet Franc, 7% Merlot, and 5% Petit Verdot, entirely from the Juslyn Spring Mountain Estate.  The wine was aged for 24 months in French oak, 85% of which was new.

It is a fairly transparent but nonetheless dark purple  The nose offers plenty of dark fruit aromas with a bit of cedar.  These continue on the palate, especially black cherry, black currant, and black raspberry, with the addition of cocoa.  There is medium acidity, paired with zoomin’ and boomin’ tannins.  To be clear, I like my reds young, and I’m not afraid of tannins.  But to temper those here, the wine should be decanted for a couple of hours.  And really, another three to five years of bottle aging would be worthwhile.  If you have the patience, the wine should drink well at least through 2030.  As another reviewer noted, “An odd but awesome juxtaposition of a young California Cab mated with a first production old-world Bordeaux.”   ABV is 14.5% and 480 cases were produced.

https://juslynvineyards.com/

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Brutocao Quadriga Red Blend and Brutocao Chardonnay

Brutocao Cellars
Brutocao Quadriga Red Blend 2017 and Brutocao Chardonnay 2019 Click here for tasting notes.

Brutocao Cellars

Irv Bliss’ early years as a farmer were occupied with growing pears, prunes, walnuts, and a large family garden just outside of Healdsburg, in Sonoma County, California. Although successful, for years Bliss nursed the vision of planting a vineyard in Mendocino, which he believed to be one of the best places around to grow grapes. In 1943, he purchased a plot of land in southern Mendocino County, and immediately planted the vineyard of his dreams. In the early days, in addition to growing grapes on the property, Bliss farmed figs and raised sheep and cattle. At some point in the 1970s, all 100 acres of the land was converted to grape production, mostly Cabernet Sauvignon and Zinfandel.

When Leonard met Martha

In 1910, the Brutocao (pronounced brew’ tuh coe) family emigrated from Treviso, Italy (a small town near Venice), at first settling in Canada. Son Leonard Brutocao was born in 1935 in Fort Erie, Canada and, after the family moved to the U.S., was raised in Covina, Calif.  He met Irv Bliss’ daughter Martha while attending the University of California, Berkeley. After Leonard and Martha married, the families joined forces, and continued to farm grapes which they sold to well-known Sonoma and Napa wineries. Irv and Leonard worked together for over 35 years until Irv’s retirement in 1969, at which point the new ownership was split between Lenonard and Lenonard’s brother Albert (who co-founded with Leonard the Brutoco Engineering and Construction company in southern California which  the Brutocao clan also owned and continued to operate, as well as a number of other entrepreneurial ventures).

For several years, most of the family’s grapes were sold to local area wineries, including Beringer and Mondavi.  Leonard and Albert were interested in more than just farming however, and saw the potential for producing a handcrafted Mendocino wine. Acting on this vision, the Brutocao family released their first wine with the 1980 vintage. Shortly thereafter, they chose as their symbol of family tradition and quality a version of the Lion of St. Mark, the lion on top of St. Mark’s Cathedral in Venice, Italy,  (But they flipped the way it faces, for whatever reason.)
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In 1991, the original winery was built, and the first estate vintage was produced. Around the same time, Leonard’s three sons, David, Len Jr., and Steve, joined the family business. (Forth son Dan and daughter Renee Ortiz also share ownership of the winery, but have limited involvement.)  David is Director of Winemaking Operations, and works side by side with Brutocao winemaker Hoss Milone to produce their estate wines. Len Jr., as Director of Vineyard Operations, oversees the cultivation of the land from new plantings to grape harvest.  Following the death of his father in 2010, Steve assumed the role of CEO  after many years of experience in wine marketing and sales.

Brutocao outgrew the first winery by 2003, when a new facility was built, and it was expanded in 2009. The original building has now become an onsite wine storage warehouse.  The more visitor-friendly tasting room is about a mile and a half due west, in Hopland, California.
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The Legacy Continues

The Brutocao operation is now in its fourth generation. Ryan, Director of Custom Label Sales, is tasked with distribution as well as coordinating with Brutocao’s non-profit partner, Wine to Water.  Kevin, a jack of all trades, does a bit of everything, from pouring wines in the Hopland tasting room to managing the winery’s online presence. He also creates many of the designs for marketing materials.

The Winemaker

Hoss Milone became the winemaker for Brutocao in 2009 after spending 18 years toiling for Ferrari-Carano.  Hoss is a fourth-generation winemaker who grew up in his family’s vineyards, and watched his grandfather and father produce their own Mendocino wines. Milone is also a trained cooper, aka barrel maker.  At some point it was discovered that Milone’s grandfather tilled the land for Irv Bliss in the original vineyard. Quite a coincidence.

The Vineyards

The Bliss Vineyard, also known as the Home Ranch, is the original property purchased in 1943 by Irv Bliss. The vineyard is 400 acres, with 177 acres planted to Chardonnay, Cabernet Sauvignon, Sauvignon Blanc, Zinfandel, Merlot, Sangiovese, Barbera, and Dolcetto.

The Feliz Vineyard was purchased in 1994. It is 583 acres in size, with 114 acres planted to Chardonnay, Sauvignon Blanc, Syrah, Cabernet Sauvignon, Sangiovese, Dolcetto, Barbera, Zinfandel, and Pinot Noir.

The 251-acre Contento Vineyard was purchased in 1997, but not planted until 1999. 90 acres are now under vine, growing Cabernet Sauvignon and Primitivo*. Contento is the site of an old cattle ranch, where purebred Brangus cattle were raised. Some of the ranch was used for research and development of new tractor equipment, resulting in very well-worked soils.  Contento is also the site of an abandoned gold mine.

Brutocao Chardonnay 2019

Made by Brutocao since the mid-1980s, this  pale-straw colored Chardonnay comes entirely from Bliss Vineyard, the original property purchased by Irv Bliss in 1943.  The wine was 100% barrel fermented and sur lies aged for nine months in French oak, 30% of which was new.   Some of the grapes were “whole cluster pressed” for maximum flavor extraction.  It underwent 100% malolactic fermentation, which in this case lead to citrus rather than the more typical buttery notes.

The wine opens with aromas of honeysuckle, pear, and mango.  These  evolve into a full-bodied palate of tropical fruit with just a hint of butterscotch on the finish.  Serve moderately chilled at about 60° F.  ABV is 13.5%, and  3000 cases were produced.

Brutocao Quadriga Red Blend 2017

A quadriga is a chariot pulled by four horses, harnessed side by side, and is an ancient Italian symbol of triumph. This selection, on offer since the early 2000s,  is a proprietary blend of 43% Primitivo*, 31% Sangiovese, 19% Barbera, 6% Dolcetto, and a 1% topping of Syrah, which is reminiscent of traditional Italian field blends.  “Field blending” is the custom of planting different grape varieties together in the same vineyard, harvesting them all together, co-fermenting, and making a wine from the mixture. However, Milone was careful to point out that Brutocao’s varietals are kept separate in their vineyards, and he makes individual wines from each of the grape types before he begins the blending process.  This offers him much greater control over the flavor profile of the wine than the traditional field blend approach would.  The fruit was sourced from the Bliss, Feliz, and Contento vineyards.  After fermentation, it was aged for 18 months in 90% French oak and 10% American oak, of which 25% was new.

This wine is a totally transparent medium purple, but is more boisterous than its color suggests.  The nose features aromas of red berries and cinnamon stick.  These continue on the palate, with additional flavors of blueberries and caramel, complemented by a rich, smooth mouthfeel.  Decant for an hour or two before serving.  The ABV is 14.5%, and 500 cases were made.

www.brutocaocellars.com/

www.goldmedalwineclub.com

*There is ongoing debate about whether or not Primitivo and Zinfandel are the same grape.   However, it is agreed that at the least they both share a Croatian forebear.  Primitivo is mostly planted in Italy, while Zinfandel is almost exclusively American.  Winemaker Hoss Milone insists that Brutocao’s Primitivo can be sourced back to mother vines in Italy.  He also believes Primitivo prefers French oak aging, while Zinfandel is more suited to American oak.

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Lost Eden Saperavi Red Blend

Lost Eden Red Blend 2018
Lost Eden Red Blend 2018 Click here for tasting notes.

Lost Eden Saperavi Red Blend 2018

This selection is from Georgia the country, in the Caucasus region of Eurasia.  Specifically, Lost Eden is produced at the Vaziani Winery, located in Telavi, Georgia

Little known to most Americans, Georgia is one of the oldest wine regions in the world. The fertile valleys and protective slopes of the Transcaucasia, which spans the southern portion of the Caucasus Mountains and their lowlands, straddles the border between the continents of Europe and Asia.  Here grapevine cultivation and neolithic wine production began at least 8000 years ago. The very word “wine” is believed to have been derived from the ancient Georgian word “Gvino” which means something that “rises, boils or ferments.” Due to these many millennia of wine history in Georgia, and its prominent economic role, the traditions of wine are considered entwined with and inseparable from the national identity.

When Christianity and the Eucharist came to Georgia in the 4th century AD, wine gained further importance in the nation’s culture.  According to tradition, Saint Nino, who preached Christianity in Kartli, bore a cross made from vine wood.  Another old legend tells of how soldiers prepared for battle by weaving a piece of grapevine into the breastplate of their armor. If they fell in battle, a vine would rise not just from their bodies but from their very hearts.

In 1950, vineyards in Georgia occupied 143,000 acres, but in 1985 that had grown to 316,000 acres, primarily due to increasing demand in what was then the USSR.  However, following the dissolution of that alliance and the end of the Cold War, the relationship between Georgia and Russia has often been rocky, if not outright hostile (including a war with Russia in 2008), and production saw  a subsequent decline. Even so, a recent trade agreement with the European Union has brought renewed optimism to Georgian producers.

According to the Ministry of Agriculture, in 2009 Georgia exported about .9 million cases of wine to 45 countries.  By 2019, production and  exports had increased significantly, with total exports of 7.8 million cases to 53 countries.   During those ten years, exports to the US, although still modest,  increased 48%, to 56,512 cases.  The wine is produced by thousands of small farmers (using primarily traditional techniques of winemaking), as well as some monasteries and modern wineries.  In 2006 there were roughly 80 registered wineries, but by 2018, the number had ballooned to 961.

Growing conditions

Extremes of weather in Georgia are unusual: summers tend to be mild and sunny, and winters frost-free. Natural springs abound, and the many streams of the Caucasian Mountains drain mineral-rich water into the valleys. The moist, moderate climate, influenced by the Black Sea, provides excellent conditions for vine cultivating. In many regions of the country the grapevines are trained to grow up the trunks of fruit trees in terraced orchards, a method of cultivation called maglari.

Georgian grape varieties

Perhaps not surprisingly, traditional Georgian grape varieties have been little known in the New World. However, with increasing international awareness of the wines of Eastern and Central Europe, grapes from this region are gaining a higher profile. Although somewhere between 400 and 500 exist, only 38 varieties are officially grown for commercial viticulture, in 21 distinct wine-producing regions (a.k.a. PDO – Protected Designation of Origin).

Traditionally, much like French regional wines such as Bordeaux or Burgundy, Georgian wines carry the name of the source region, district, or village.  They are usually a blend of two or more grapes, and are classified as sweet, semi-sweet, semi-dry, dry, fortified, and sparkling. The semi-sweet varieties are the most popular in the domestic market.

The Winemaker
Lado Uzunashvili is an 11th generation winemaker.  He was raised in Mukuzani, in the largest wine-producing region in Georgia.  He learned oenology in Moscow, France, and Australia.
“When making the Lost Eden Red Blend, it was important to showcase Georgia as the birthplace of wine. To do this I found the perfect balance between modern and traditional Georgian winemaking practices to illustrate the quality and evolution of wine produced in my country. We believe wine is better with less human intervention,” Uzunashvili explained.

Lost Eden Saperavi Red Blend 2018

Lost Eden is a new product, launched in September of 2020.  The producer states, “In partnership with the Georgian Ministry of Agriculture and Partnership Fund, Lost Eden was crafted to build ties with the West and forever pivot Georgia, the birthplace of wine, away from Russian dominance.”

“The Georgian people have suffered many years of Russian oppression and a number of crippling embargoes that have negatively impacted both our current wine industry and our 8,000 year winemaking tradition. To break free from Russia’s grasp, we partnered with an incredible team to create Lost Eden for the United States wine market. This visionary wine project will not only introduce Americans to an exquisite Georgian wine, but also will help us build back a strong, free wine market in Georgia,” said Irakli Cholobargia, of the National Wine Agency, Ministry of Environmental Protection and Agriculture of Georgia.

The Vaziani Winery

Lost Eden harvests grapes
from arguably the oldest vines on earth.  They use the ancient clay pots called qvevris (pronounced kwevr-ees for fermentation and aging.  They are always buried in the ground, and are usually coated on the inside with beeswax, a natural sealant designed to keep undesirable bacteria from seeping through the walls.

The qvevris are buried in the winery floor.

Saperavi, grown in some areas of the Kakheti region, is one of Georgia’s most important indigenous varietals.  It produces substantial, deep-red wines that are suitable for extended aging of up to fifty years.  It has the potential to produce high alcohol levels, and is used extensively for blending with other, lesser varieties.

The bottle of this unoaked blend features a glass stopper, which is rather stubborn to remove, instead of a cork, and the “veins” molded into it invoke the maglari cultivation method.  Although 100% Saperavi, it is considered a blend because a portion of the wine came from the traditional qvevris and a portion from stainless steel.   And, grapes were sourced from several vineyards.

Lost Eden pours a crystal-clear ruby in the glass.  The nose offers light to medium aromas of red and black cherries and mulberries.  These continue on the smooth palate, joined by cassis and some cocoa.  This is a semi-dry wine, with moderate but pleasant acidity, low tannins, and a somewhat short finish.  ABV is 13%, and 4,500 cases were made.

losteden.com/

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Kenwood Vineyards

Kenwood
Click here for tasting notes.

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Author Jack London (1876 – 1916) was an American novelist, journalist, and social activist. A pioneer of unabashedly commercial fiction in both novels and  magazines, he was one of the first American authors to become an international celebrity and earn a large fortune from writing. His most famous works include The Call of the Wild and White Fang, both set during the Klondike Gold Rush.

In 1905, London purchased a 1,000 acre property in Glen Ellen, California, on the western slope of Sonoma Valley which he named Beauty Ranch. He wrote, “Next to my wife, the ranch is the dearest thing in the world to me. I write for no other purpose than to add to the beauty that now belongs to me. I write a book for no other reason than to add three or four hundred acres to my magnificent estate.” Continue reading “Kenwood Vineyards”

Black Willow Winery

Click here for tasting notes.

Black Willow Winery

Just about everyone knows about the world-famous Niagara Falls, of course, but the area is home to some increasingly serious winemakers as well, on both the Canadian and U.S. sides of the border.

New York State’s commercial wine industry began when its first bonded winery, Pleasant Valley Wine Company, was founded in Hammondsport in 1860, and the state now ranks third in grape production by volume after California and Washington. But 83% of New York’s grape output is Vitis labrusca varieties, mostly Concord, that find their way into grape juice, jams, jellies, and wines such as, ahem, Manischewitz. The rest is split almost equally between Vitis vinifera (the broad vine species that produces 99% of the world’s wines) and select French hybrids. Continue reading “Black Willow Winery”

Imagery Winery

Imagery Petite Sirah 2016 and Imagery Gee eS eM 2017
Imagery Petite Sirah 2016 and Imagery Gee eS eM 2017. Click here for tasting notes.

Imagery Estate Winery

My first career paths as a young man were art and architecture.  I have a Bachelor’s degree in architecture, and got half way through a Master’s in fine-art printmaking.  I ended up traveling neither of those avenues professionally, but have remained keenly interested in both ever since.  So, I was intrigued to learn of Imagery Estates’ commitment to fine art.

In 1973, newlyweds Mike and Mary Benziger drove west and permanently settled in Northern California. Seven years later, Mike and and his brother Bruno Benziger purchased the historic Wegener Ranch on Sonoma Mountain in Glen Ellen, California. Hearing the Sirens’ call of the Golden State, over the next six years the four remaining siblings — Bob, Joe, Jerry, and Patsy, with their spouses — made their way to California.

Joe Benziger
Joe Benziger

In 1986, winemaker Joe Benziger first partnered with artist Bob Nugent to launch the Imagery Series of wines in a converted brewery. This pairing of wine and art continues to this day, and permeates every aspect of Imagery Winery, including unique artwork replicated on every label.  The winery’s dedicated on-site art gallery features 500 works from over 300 notable contemporary artists. Usually, between 60 and 150 pieces are on view in the gallery at any one time. Contributing artists have been selected from around the world, including: Sol LeWitt of Connecticut, Shoichi Ida of Japan, William Wiley of California, Goncalo Ivo of Brazil, David Nash of Wales, and Judy Pfaff, Pat Steir, and Terry Winters of New York. The artists are specially commissioned by Imagery to create a new and original piece; unsolicited submissions from others are not considered. At any given time, as many as 35 artists are working on pieces that will appear on future Imagery wine labels. Of the 200 or so artists reviewed each year, only five are actually offered a commission. The artists are not limited by size, medium, or content, except for one requirement.  It can be either representational or abstract, but every image must include the Benziger Estate‘s “Parthenon.” it was on the property when the Benzigers first arrived and overlooks the rolling vineyards.

Imagery Parthenon

Imagery ParthenonJamie BenzigerIn December 2017, Joe Benziger retired, and his daughter Jamie took over as second-generation winemaker. She was named the 2019 Best Woman Winemaker in the International Women’s Wine Competition, and was also included on Wine Enthusiast’s list of 40 Under 40 Tastemakers.

Although she studied marketing at Loyola Marymount University, Jamie eventually came to realize she wanted the family wine business to be her future after all. Jamie transferred to Sonoma State University to complete her marketing degree, and added wine business to her studies. She interned in marketing with Gundlach Bundschu Winery during school, but while working her first harvest  at Benziger Jamie realized her heart was really in winemaking.

Since then, Jamie has aggressively pursued her knowledge of wine, working in the wine labs at St. Francis and Bogle, traveling to New Zealand to work harvest at Villa Maria, and getting her hands dirty in the field at Enterprise Vineyards. Mentored by her father and just as adventurous, Jamie says she is, “passionate about taking Imagery to a broader audience.”

Imagery Petite Sirah 2016

The origins of Petite Sirah (aka Petite Syrah) have been shrouded in mystery and confusion.  It was originally thought to be related to the renowned Syrah of France’s Rhône region. Then it was decided it was actually Durif, a minor Rhône varietal now nearly extinct. But then along came pesky science, and a DNA analysis in the late 1990s identified the grape as a cross between Syrah and Peloursin.  It is grown much more extensively in California than France, but can also be found in Argentina, Brazil, and Mexico. Somewhat disparaged at the turn of this century, it is now enjoying a renewed popularity.

Petit Sirah can make big, full-bodied wines, and this selection is an excellent example.  Imagery likes to call this a “toothbrush wine” because of its deep color and bold flavor (although dentists caution against brushing your teeth soon after drinking wine, as the lingering acidity can damage tooth enamel by doing so.)

Made by Joe Benziger not long before he turned the winemaking over to Jamie, the fruit for this wine was sourced from the Shell Creek vineyard in Paso Robles, one of Imagery’s longest-standing grape suppliers. The wine itself is dark inky purple, with a nose of blackberries and plums.  These continue on the palate, with a plush, full body, and big but controlled tannins. This was accomplished by tasting the juice at every pump over, to assure that the tannins did not become excessive. Jammy concentrated fruit comes  through mid palate, with a lingering richness on the finish. The ABV is 14.6%, and 1074 cases were made.
The label artist is Robin Denevan of San Francisco, California.  The image is part of Denevan’s River Series, and is an encaustic painting, a mixed media technique that involves using heated beeswax to which colored pigments have been added. The liquid/paste is then applied to a surface — usually prepared wood, although canvas and other materials are also used. The term is derived from Greek, meaning a burning in. A subtle reflection of the “Parthenon” is shown in the water in the bottom third of the picture.
https://robindenevan.com/

Imagery Gee eS eM Red Wine 2017

This too-cutely named (for my taste anyway) blend is made from 35% Grenache, 35% Syrah, and 30% Mourvèdre sourced from a number of North Coast vineyards. GSM, as it’s more commonly referred to, is a mix traditionally produced in the Côtes du Rhône region. It is also a favorite of the so-called “Rhône Rangers,” a group of American winemakers who promote the production of wines containing at least 75% of the 22 Rhône grape varieties. This is Jamie Benziger’s first solo effort.

Dark garnet in the glass, this wine starts with aromas of figs and roast plums and a bit of vanilla. These are followed by flavors of strawberries and tart cherries. There is just the right amount of acidity, and the soft tannins are restrained. The silky structure all wraps up in a nice long finish. The ABV is 14.9%, and 558 cases were produced.

The art adorning this bottle is by Santa Rosa artist Sami Lange. ​It is one of her paper collage “quilts” that are created by hand cutting, dying, and stitching thousands of circles to create intricate meditative patterns. The fuchsia “Parthenon” arises from a field of orange.

www.samilangeart.com/

www.imagerywinery.com/

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Riley’s Rows

Riley's Rows
Riley’s Rows Click here for tasting notes.

Riley’s Rows

There’s an old witticism in the wine business that goes, “If you want to make a million dollars by producing wine, the first thing you need to do is spend a million dollars.” For a young and ambitious vintner to be able to skip that first step would be quite a blessing. Such is the case with Riley Flanagan. She is the eldest daughter of Eric Flanagan, a boutique winemaker and grape supplier in Sonoma, California. Through his Flanagan Wines operation, her father shares the tasting room, winemaking facility, and some of the fruit for his daughter’s own wine label. Continue reading “Riley’s Rows”

Flanagan Wines

Flanagan Wines
Click here for tasting notes.

 

Eric Flanagan did not come of age with a background in the wine business, or even farming. After graduating from college in 1985, he embarked on a banking career, which he pursued until 2013. His job during those years took him on journeys around the world. He had always had an interest in wine, and over the course of these trips Flanagan became fascinated by how grapes of the same variety expressed themselves in different places.

the siren call of wine

Seeing no need to wait for retirement to start a second career, at the age of 36 in 1999 he decided to act on his deep interest in the world of wine. He purchased 40 acres of open land on the side of Bennett Mountain in Sonoma, California, (in what would later become the Bennett Valley AVA). The site sits at 1200 feet on the south and southwest slopes of Bennett Ridge at the confluence of San Pablo Bay and Petaluma Gap. The soil is rocky, volcanic cobbles with excellent drainage. Having a warm micro-climate in a cool region means that bud break here is early, but harvest is late. The extra hang time for the grapes, along with the low yields and the hillside site, can deliver intense, complex fruit. Flanagan and his then very-young first daughter, Riley (who has gone on to become a vintner herself), planted his first vines there in 2001. Continue reading “Flanagan Wines”

Dominus

Dominus 2014
Dominus 2014. Click here for tasting notes.

OK, let me be clear up front: with an MSRP of $250, this is definitely not a bottle for the casual wine drinker.  But my well-healed and generous step-daughter bought it for me, so here it is.

Dominus Estate is owned by Christian Moueix, one of the few winemakers to produce classic wines in both the old and new worlds, and he is also one of the most well-known. The son of Jean-Pierre Moueix, a Bordeaux wine merchant, he  was born in Libourne, France in 1946. After completing his agricultural engineering studies in Paris and graduate studies in viticulture and enology at the University of California at Davis in 1968-69, he joined his father’s company in 1970 to manage the family vineyards, and in 1991 became its president. He oversaw the legendary Chateau Petrus for 38 years, ending with the 2008 vintage.

He remained drawn to Napa Valley as well, and in 1981 he was made aware of the historic Napanook vineyard, a 124-acre site west of Yountville that had been the source of fruit for some of the finest Napa Valley wines of the 1940s and 1950s.

In 1836, George C. Yount, the founder of Yountville, planted the first vines in Napa in this vineyard.  Owners since have included Hugh La Rue, a pioneer in the development of rootstock, and John Daniel Jr., the owner of Inglenook Winery who bought the estate in 1946.

Following Daniel’s death in 1970, Napanook passed to his daughters Robin Lail and Marcia Smith.  They began a partnership with Moueix in 1982, acting on a recommendation by Robert Mondavi.

Christian Moueix

Moueix applied what he had learned both in France and California to the project. His focus has been on dry-farming techniques to sustain a sound ecology, as well as a means to produce grapes of the finest quality. Dry farming relies on a deep root system to take advantage of natural water sources from rain and underground supplies. Electric golf carts are used extensively on the property to conserve gasoline, minimize dust, and reduce soil compaction. Owl boxes and bluebird houses provide homes to natural predators of vine pests and rodents.

Eventually, in 1995, Moueix became the estate’s sole owner, renaming it ‘Dominus’ (Lord of the Estate in Latin) to underscore his longstanding commitment to stewardship of the land.  He expanded Dominus in 2008 with the addition of a 40-acre vineyard in Oakville.

The Winery

The first thirteen vintages of Dominus were crushed and aged at the nearby Rombauer Winery.  However, in 1995 Moueix commissioned the design of a new $5 million, 50,000 sq ft facility by Swiss architects Jacques Herzog and Pierre de Meuron,  Completed in 1997 , the Dominus Estate winery is dramatically low-slung, integrated into its landscape and offering panoramic views of the surrounding vineyard and hillsides.

The winery was Herzog and de Meuron’s first project outside of Europe. The architects have since designed numerous renowned buildings, including the Tate Modern in London, the Allianz Stadium in Munich, the Prada boutique in Tokyo, the de Young Museum in San Francisco, and the “Bird’s Nest” stadium in Beijing. In 2001, they were awarded the Pritzker Prize, contemporary architecture’s highest award.

The Winemaking

Separate fermentation is done on a lot-by-lot basis. Berry clusters are hand-sorted, complemented by an optical berry-sorting system. Gentle pumping-over is done to extract as much aroma, color, and tannins as desired. Racking is barrel-to-barrel in 100% French oak to remove sediment and assure clarification of the wine during aging, and egg-white fining eliminates impurities.

Dominus 2014

2014 in Napa Valley was characterized by a very dry early winter, with heavy rains in February and continued rainfall in March and April.  Average temperatures were higher than historical averages, with minor heat spikes in June and in July. No heat spikes were recorded in August or September.

This wine is a blend of Cabernet Sauvignon: 86%, Petit Verdot: 7%, and Cabernet Franc: 7%.  It is an inky deep red/purple, with  cardamom and forest floor aromas.  There are booming flavors of blackberry and cocoa on the tongue., offset by very dry tannins.  Dominus is very much in the European style (predictably, considering Moueix’s experience on both sides of the Atlantic.)  The finish is long and silky.

This Dominus was aged in French oak, 40% new, and 4300 cases were produced.

www.dominusestate.com/

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